This work serves as a visual record and reconstruction of how the image-based reality of the city is consumed like a ruin. The artist photographs construction sites on the verge of demolition, collapsed walls, and fragments of artificial materials. These images are torn, layered, and collaged into a new kind of ‘landscape.’ But this landscape does not depict reality. It operates like an image that mimics the real, and the image itself behaves like a sensory remnant-hollow, fragmented, and detached. In this work, the distinctions between ruin, image, and landscape are deliberately blurred, flattened into a single surface where they function as equivalents. The sight of a construction site glimpsed through a thin screen has become an ordinary part of daily life. Urban change is recognized first as image, then consumed again as a sensory fragment. Time, place, material, and trace within the city are thus reduced to a collapsed visual surface. This work begins with a skepticism toward such “familiarity,” aiming to recompose the landscape of reality by defamiliarizing it-through the fragmented, layered pieces of countless images